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Pickett and Capizzi composed 'Monster Mash' and recorded it with Gary S. Paxton, pianist Leon Russell, Johnny MacRae, Rickie Page, and Terry Berg, credited as 'The Crypt-Kickers'. (Mel Taylor, drummer for the Ventures, is sometimes credited with playing on the record as well, while Russell, who arrived late for the session, appears on the single's B-side, 'Monster Mash Party'.) The song was partially inspired by Paxton's earlier novelty hit 'Alley Oop', as well as by the Mashed Potato dance craze of the era. A variation on the Mashed Potato was danced to 'Monster Mash', in which the footwork was the same but Frankenstein-style monster gestures were made with the arms and hands. Codi Usb To Serial Driver more. The A-Side track 'Monster's Holiday' is a nice little catchy tune with the usual ghoulish 'creatures of the night' references backed by Decks of Holly & Sleigh Bells, while the B-Side 'Monster Motion' cashes in on yet another Monster Mash sound alike tune. So once again in December, the C in WOCK is for Christmas with a little bit of Creepy and Weird thrown in for good measure, making this another well deserved candidate for this month's WOCK on Vinyl post.
Ripped to MP3 (320kps) including artwork and label scans, this post should fit nicely into your Christmas stocking this year. Merry Christmas everyone and have a safe & Happy New Year. Bytecc Landesk Me 850 Manual Treadmill. Like many pop artists, Jeff Lynne has had a habit of recycling his ideas by twisting and turning them around as he moves from one album to the next. Generally speaking, the connection between any two given songs wasn’t meant to provide lyrical insight; instead it was limited to his unwavering desire to improve upon his prior melodic and symphonic concepts. With Electric Light Orchestra’s 11th outing 'Balance of Power', however, Lynne took a different approach. In the wake of its gargantuan endeavor Out of the Blue, the band had floundered in its abilities to move its music forward, a product, no doubt, of its close ties to the ’70s. While the group had remained popular, particularly in the U. Download Lagu Melalui Hp Nokia. K., it also was beginning to run out of steam.
The songs on 'Balance of Power' reflected Lynne’s sadness over Electric Light Orchestra’s impending demise, though he simultaneously couched his ruminations within the framework of a love affair that was on the decline. Consequently, while the music was genuinely joyous, there were darker textures that bubbled beneath its surface. Frustration and anger lurked within Secret Lives, for example, and a sad yearning clung to 'Is It Alright'. Though Lynne remained focused on placing his own stylistic spin upon the canons of The Beatles and The Beach Boys, the lone truly reconfigured moment from his past occurred during 'Sorrow about to Fall'.